红牛在线
剧情简介
康沃尔渔村(cūn )(⛲)的风景明信片(piàn )田园诗误导(dǎo )了人(😘)们(🕟)。虽(🛍)然(🔱)过(guò )去钓鱼(🍥)是一种养家糊口(🐉)的(🛤)方式，但如今富有的伦敦游(🌫)客纷纷下山，取代了当地人，当(🐿)地人的(👑)生(shēng )计(jì )(🤷)因此受到(dào )威胁。史蒂文(🔲)和马丁兄弟的关(🕌)系也(📞)很紧(jǐn )张。马丁是一个没有船(chuán )的渔(yú )夫(🕕)，因为(wéi )史(🤷)蒂文开(⏺)始(shǐ )用它来(lái )为一整天(🌚)的(📯)游(🚨)客(kè )提供更赚钱的旅游。他们(men )卖掉(🥔)了(💻)这(🗞)座家庭别墅，现在看来，最后(👓)一(🙀)场战(zhàn )斗是和新主人在海(🤷)边的(de )(🧤)停车(chē )位(wèi )上展开。然而(ér )，情况很快(kuài )就失控(kòng )了(le )，而(ér )不仅仅(👣)是因(🤘)为车轮(💝)夹钳(qián )。Bait是一种(zhǒng )黑白，手(shǒu )工制作(🌹)，16毫米胶片制作的电影。许多关于鱼、网(🎥)、龙(lóng )虾、(📧)长靴、绳结和渔篮的(📸)特写镜头让人想起(🍽)了(le )蒙(méng )(🔞)太奇景(jǐng )点的理论。对不同社(shè )会阶层的描述(⏳)——可(🎐)以(yǐ )说是阶级关系——也(🍺)让人(rén )想起了(le )英国电(diàn )(💅)影中(❓)的社会现(💑)实主义(yì )传(chuán )统。然而，最重(chóng )要的是，在影像中不(bú )同层次的电影历史参考(🐅)文献(xiàn )之(zhī )下，当(dāng )(🙅)前许多(🍾)政治关联(📯)正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations –(🌽) is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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